
Rain, in a country that rarely gets it. White plaster dragged down a black ground until the marks fall like script.
Plaster, modelling paste and acrylic, worked until the surface holds the light. Every piece is an original, one of one. Select any work for its wall label and to enquire.

Rain, in a country that rarely gets it. White plaster dragged down a black ground until the marks fall like script.

First light. A seam of magenta and gold torn through saffron, the only piece where the restraint gives out.

Two panels, two lines. Strokes that stop just short of becoming letters.

Six forms rising through a black surface, the weight of counting toward stillness.

Vertical strokes across two panels: calligraphy without words, gesture without language.

Twelve carved hollows in white on white, repetition made visible.
No editions, no prints. Each work is one of one. Commissions can be scaled and toned for a specific wall, in monochrome or in colour.
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